When you walk into any of Lenny Kravitz’s houses, from the cinematic layers of his Beverly Hills estate to the moody elegance of his Paris refuge, you’re stepping into more than just a luxury interior. You’re entering a living museum of vintage design. Known for his soulful music and bold fashion sense, Kravitz brings the same expressive energy into his homes, curating environments rich in culture, memory, and timeless craftsmanship.
Each space is filled with soul, vintage treasures, and a deep reverence for product design history. This is not just a story of beautiful furniture, it’s a journey through decades of iconic design. Here’s an intimate look at Lenny Kravitz’s houses, told through the vintage masterpieces that define them, each with a story as powerful as the man himself.
Terrazza Sofa by Ubald Klug for De Sede (1973)
At the center of Kravitz’s Beverly Hills home sits a design landmark from the 1970s: the Terrazza Sofa, affectionately known as the “landscape sofa.” Created in 1973 by Swiss architect Ubald Klug for De Sede, the piece emerged during a revolutionary period in furniture design. Designers were breaking away from the strict functionality of mid-century modernism, embracing organic forms inspired by nature and comfort.
De Sede, already known for their leather innovation, led the way in experimental design. The Terrazza’s terraced form was both a topographical metaphor and a rebellion against minimalism. It is an invitation to interact with furniture as sculpture.
Kravitz’s use of this vintage piece signals more than just style. It’s a connection to a cultural shift when homes became expressions of individuality and sensuality, values that align perfectly with his own aesthetic.
Afra & Tobia Scarpa "Africa" Chairs (1975)
In Kravitz’s Paris apartment, the story continues with a set of vintage treasures from Italy’s golden era of design: the “Africa” Chairs by Afra & Tobia Scarpa, created in 1975 for Maxalto. These designers were part of a movement that married traditional craftsmanship with forward-thinking aesthetics, helping define Italian modernism in the mid-to-late 20th century.
The “Africa” Chairs were born from a cultural moment when global influences were seeping into European design. Their name hints an appreciation for African forms and symbolism, a rare and progressive concept for the time. The chair's proportions and rich wood construction captured a balance between classical European refinement and earthy, primal strength.
Placing these vintage piece in his Paris home, Kravitz honors an era when designers looked beyond borders and embraced multicultural artistry, a vision he shares through both his music and interiors.
Warren Platner Lounge Chair by Knoll (1966)
Positioned near the Terrazza Sofa is another vintage icon: the Warren Platner Lounge Chair, designed in 1966 for Knoll. This piece came to life at a pivotal moment in American design, when the sharp austerity of the Bauhaus era began to give way to elegance, softness, and emotional resonance.
Platner’s genius was in blurring the line between architecture and furniture. The chair’s distinctive steel rod base was both decorative and structural, giving it a glowing, sculptural quality. At the time, Platner described his ambition as creating “a classic that would remain timeless.”
In Kravitz’s Beverly Hills residence, this mid-century masterpiece reflects natural light and harmonizes with organic shapes in the space. It speaks to the kind of vintage product design that is not only functional but deeply poetic.
Ado Chale Coffee Table (1970)
At the center of Kravitz’s Paris living room is a mystical design by Belgian artist Ado Chale. Renowned for his experimental uses of natural materials, Chale was a celebrity of postwar European design. His 1970 coffee tables, like the one Kravitz owns, used to combine lava stone, bronze, and minerals to form surfaces that appeared nearly extraterrestrial.
Chale began crafting furniture in the 1960s during a resurgence of artisanal pride. While much of Europe industrialized design, he went the opposite route embracing handwork and geological beauty. His pieces, including this coffee table, became highly prized among collectors seeking meaning beyond mass production.
For Kravitz, incorporating a vintage Ado Chale table isn’t just about design, it’s about anchoring a space in elemental history. It becomes not just a surface, but an altar of reflection and ritual.
“Scarface” Armchairs by Studio Glustin (Inspired by the 1980s)
In a nod to pop culture and cinematic bravado, Kravitz includes a pair of “Scarface” armchairs in his Paris's living room. Designed by Studio Glustin, these pieces reinterpret the high-gloss drama of 1980s design, an era where furniture became a form of visual power.
The decade of excess brought with it curves, bold upholstery, and unapologetic luxury. Design was no longer just functional; it was theatrical. These vintage-inspired armchairs capture that mood perfectly, referencing films like Scarface, where interiors were as expressive as the characters.
In Kravitz’s world, these chairs are more than homage, they’re a statement. Placed amid minimalist architecture and moody lighting, they act as a playful contradiction and a celebration of vintage glamour.
Guido Faleschini Bed for i4 Mariani (1970s)
In the most private chamber of Kravitz’s Parisian home stands a symbol of Italian luxury: a leather bed designed by Guido Faleschini for i4 Mariani during the 1970s. This era in Italian design was defined by innovation; when manufacturers began merging industrial processes with artisanal detail.
Faleschini was among the leading voices of this period, designing pieces that exuded understated confidence. His signature use of padded leather and architectural silhouettes made beds not just for sleeping, but for living, a concept that still feels modern today.
For Kravitz, the Faleschini bed offers a vintage balance of strength and serenity. It transforms the bedroom into a personal temple, where every line and surface speaks of timeless refinement.
Beni Ourain Rug (Traditional Berber Craft, Mid-20th Century Popularity)
One element you’ll find in nearly all of Lenny Kravitz’s houses, from Brazil to Beverly Hills, is the timeless Beni Ourain rug. Woven by Berber tribes in Morocco’s Middle Atlas Mountains, these rugs are not only functional but deeply spiritual. Each piece carries tribal motifs, family histories, and protective symbolism.
Though the craft dates back centuries, Beni Ourain rugs gained global recognition during the mid-20th century, when postwar designers began integrating indigenous textiles into modern interiors. Their thick wool, minimal patterns, and neutral tones made them ideal companions to modernist architecture, and today, they are prized as vintage design icons.
In Kravitz’s homes, the Beni Ourain rug serves as both cultural homage and grounding element. It ties his global lifestyle to ancient tradition, adding warmth and authenticity to spaces filled with artistic expression.
Lenny Kravitz + Houses + Product Design: A Vintage Vision of Identity
What unites all these pieces, from sculptural sofas to handcrafted rugs, is not just their aesthetic appeal, but their cultural relevance and historical depth. Lenny Kravitz’s houses are not random assortments of beautiful furniture. They are narrative-rich environments built around the core principles of vintage product design, storytelling, and soul.
Each item he chooses carries with it a history, a designer’s voice, and a connection to a moment in time. Whether it’s a Platner lounge chair catching the California light or an Ado Chale table grounding a Paris salon, the message is clear: great design lives on when it has purpose, memory, and meaning.
Conclusion: Living with Design, Living with Intention
For Lenny Kravitz, interiors are as expressive as a song: layered, emotional and timeless. Across his properties, we see the rhythm of a man who surrounds himself with stories. His homes are sanctuaries of creativity and culture, filled with vintage design pieces that transcend trend.
They are not just stylish spaces. They are autobiographical, reflections of a man who lives at the intersection of art, music, and design. And if you ever wanted to understand Lenny Kravitz beyond the stage, all you have to do is walk through one of his homes, where every object hums with life, history, and intention
Sources
AD, Inside Lenny Kravitz’s Regal Paris Refuge
AD, The Biggest Design Flex in Lenny Kravitz’s Paris Home? These Italian Scarpa Chairs
Hommes, Inside Lenny Kravitz’s Maximalist Home, in Beverly Hill
